Shotgun Monday at Big V's 3/23/07

I can already tell that it's going to be a challenge in writing these entries not to overuse to the term "underrated." I think nearly every local band I like is underrated (the only exception that comes to mind at the moment is Plastic Constellations). But the term applies particularly in the case of Shotgun Monday, who seem to be underrated even by the crowd that should appreciate their muscular Dischord-meets-AmRep stylings the most. Their newer material, showcased in this set (only one song, "Resting Vessel," comes from their second and mot recent album Read Compare Adjust) is their strongest yet, so hopefully it is not too late for Shotgun Monday to get the recognition they deserve.

This is a mere cassette tape recording, so the quality isn't quite as high as, say, the BMGH or Falcon Crest sets posted here previously. But it sounds about as good as a cassette can sound, which is good enough.

Link: http://www.mediafire.com/?3j8njx9g00f

Track list:
1. Unknown #1/Unknown #2
2. Unknown #3
3. Unknown #4
4. Resting Vessel
5. Unknown #5
6. Unknown #6

Total running time: 25:48

The Deaf at Memory Lanes 1/20/07

Memory Lanes is my least favorite venue in town sound-wise, so I was pleasantly surprised to find that this recording actually sounds pretty good. It finds the Deaf running through nine songs in under 20 minutes, as is their wont, including a couple new ones not found on their debut record This Bunny Bites. For the uninitiated, the Deaf seem to operate on the principle that if sludgy stoner rock is a good idea, then surely sludgy stoner rock distilled into catchy, sub-3-minute nuggets is also a good idea, if not a better one. For the record, I agree.

Link: http://www.mediafire.com/?2mmp9x214ml

Tracklist:

1. Air Raid / Pocket Change (3:54)
2. Beatdown (2:08)
3. Unknown #1 / Get'er Done / Chim Cham (4:56)
4. Unknown #2 / Fuck That Shit
5. Let's Go

Total running time: 17:17

Glass Organ at the Church 5/26/07

I have a love-hate relationship overall with the noise/experimental improv type of stuff I've seen around town. For every really good set, there seem to be five that run on twice as long as they should as the various performers try and fail to happen upon something interesting. What's worse is that often the same musicians seem to be capable of both grating feats of self-indulgence and inspired, genuinely interesting performances, and you can never be sure which one you're going to get.

Naturally, what we have here is one of the latter. Glass Organ, which consists of Tom Helgerson (ex-Thank You, Shahs) and Tonefilth label head Justin Meyers, set up for one of the final shows at famed underground venue the Church with Helgerson on one end of the stage toting a Telecaster, Meyers on the other with various sound-manipulating machines, and a set of cables stretching between them. What followed was one of the rare "noise"-type sets that didn't overstay its welcome and remained interesting throughout. I was recently told that Meyers is reluctant to perform live, so if you ever see these guys listed on a bill, consider it a priority!

Link: http://www.mediafire.com/?699w0mm9cx1 (one track, 11:36)